This gallery contains examples of my fine art. Most of the work shown here was produced over the last several years, and shows my continuing interest in and development of geometry as an art form.

Some of the artwork is based on discoveries and inventions that I have made through the daily practice of drawing and experimentation. The work develops as much from an artistic and creative process as from any preplanned calculations, although the perimeter ratio is always predetermined in order to define the specific geometric system I will be working with. It is through an organic process of overlays, tracings, revisions, exploration, and experimentation with geometric systems – specifically, certain ratios and proportioning systems found in rectangles, squares, and triangles – that I have been able to produce the drawings and paintings presented here.

Over the last two years, I have been developing various series of works rather than individual pieces, but all of my drawings and paintings continue to be based on the myriad of geometric systems found in nature, mathematics, and art history, as well as my own discoveries and inventions. Among them are the square root of the golden section, the musical ratios, the square root rectangles, compound rectangles (the term given by Jay Hambidge in his “Elements of Dynamic Symmetry”), and constructions that attempt to join incommensurable systems of geometry.

Mu Series Anniversary 28, 12.10.10

Phi Root Three Series with the Rho Rectangle (2.8025).2.18.15

The 1.111 Series, 5.5.14

Phi,Square Root Phi Series 11.27.13

Mu Nu Series, Aperture Overture, 11.11.14

The 1.366 Series, Ode to Matins, 5.29.

Phi Series with the Minor Third and the Golden Section, IV, 4.21.16

Square Root Phi Series, Pulsations on the Horizon, 5.1.16

The 1.111 Series, Archways and Columns, 4.14

Musical Ratio Series, Minor Third and Major Fourth, 11.14

Greater and Lesser Dyad Series,  Nocturne, 3.27.16

Mu Nu Series, Tulpa Twenty-Three, 5.13.16

Mu Nu Series, Tulpa Twenty-Two, 5.1.

Spiritual Jukebox Series, Ode to Mr. Hawking, 5.4.16

Mu Series, Rising Stars,2016

Root Five Series, Transfiguration Mound, 5.16.16

Phi Root Three Series, the Rho Rectangle in a Phi Rectangle, 11.15

Phi Series, Earth Tulpa, 9.4.15

Phi Series, What Would Hilma Do 11.15

Phi Series, Alchemical Still with Alembic, 10.4.15

ReynoldsSquareRootPhiSeriesEvolutionofthePlanetaryFan11.13

The 1.111 Series, 5.5.14

Greater and Lesser Dyad Series, Integration of the Phi Family and the First Three Roots, 1.30.15       37

Minor Third Series, Nods to Pythagoras, 2.1.13

Phi Series, Root 5 Grouping, 1.5.15 18

The Phi Root Two Series, Tulpa XII, 12.13.14  27

Minor Third Series A Grouping of Root Fives, 1.5.15  07

Marriage of Incommensurables Series, the Roots and Phi, 2.18.15   01

The 1.111 Series, 5.9.14

The 1.111 Series, 2.9.14

Phi,Square Root Phi Series 1.3.14

Greater and Lesser Dyad Series, Square Root Phi and Root Two

Greater and Lesser Dyad Series, Phi and Root Three

Spiritual Jukebox Series, Ode to Turing Patterns, 2013

Mu Root Two Series, Wedge, 2013

Minor Third Series, Vortex Sound, 2013

Minor Third Series with Related Notes, 2013

Greater and Lesser Dyad Series, 8.13

Double Mu Series, Square Root Phi Space, 2013

Double Square Series, Roots and Harmonics

Minor Third Series Harmonics, 8.22.11

Square Series, Piston Effect, 12.10

Minor Third Series Transitions from Diagonal and Half-diagonal, 1.13

Square Root Phi Series Meanders, 2.13

Spiritual Jukebox Series, Ode to Moons, iX

Square Root Phi Series Ode to Crustaceans

The 1.111 Series Ode to John Cage, 2.13

Minor Third Series Phi Harmonics and Overtones, 1.13

Marriage of Incommensurables Series, 1.902 and sq rt 2

The 1.111, 2.14.11A

Greater and Lesser Dyad Series, Two Ogee Curves

Musical Ratios Series, 6 to 7

Spiritual Jukebox Series, Ode to Moons

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Square Root Phi Series, Disrp. 8.22.10 B

Square Root Phi Series, Disrp. 8.9.10

Square Root Phi Series, Disrp. 6.18.10

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Phi,Theta Series, 2.96

Minor Third Series, Fine Structure 2

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Double Phi Roots Series 12.09 IV

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